Editorial: PREE 8
And just like that the twenty-first century has turned twenty-two. Its 21st year had been ruinous...
Read Moreby ap | Jan 16, 2022 | Annie Paul, Editorial, Highlights 8, PREE 8 | 0 |
And just like that the twenty-first century has turned twenty-two. Its 21st year had been ruinous...
Read Moreby ap | Dec 27, 2020 | Editorial, Highlights 6, Isis Semaj-Hall, PREE 6 | 0 |
ISIS SEMAJ-HALL / RIDDIM WRITER
Dub is what happens when time collapses. But it is not the collapse of all time, just the collapse of their time. Dub is the collapse of their time and the rise of fi wi time. Do you follow me? Or do you prefer to see where I’m going?
Read Moreby ap | Dec 27, 2020 | Annie Paul, Editorial, Highlights 6 | 0 |
by ap | Jul 5, 2020 | Annie Paul, Editorial, PREE Views 1 | 4 |
The image anchoring this text is a photo of a John Crow Blow Nose or Basket Stinkhorn Fungus taken by the ceramicist David Pinto. Its hideous beauty perfectly symbolizes the raw and smelly wound of systematic racial and class discrimination still haunting the Caribbean. It’s an unpleasant thing to face down but face it we must.
Read Moreby ap | Jul 10, 2019 | Editorial, Editorial 3, Highlights 3, Issue Three: #TheCaribbeanisnotaRealPlace | 0 |
In Reading India Now, a recent book examining new trends in Indian writing, Ulka Anjaria talks of...
Read Moreby ap | Nov 14, 2018 | Editorial, Editorial 2, Issue Two: Pressure | 0 |
PREE was born out of the desire to be part of shaping the new, of providing an experimental,...
Read Moreby ap | Apr 19, 2018 | Annie Paul, Editorial, Issue One: Crossroads | 8 |
ANNIE PAUL As the note on our theme says, the Caribbean has always existed at a crossroads of one kind or another, and nearly a quarter of the way into the 21st century, the Caribbean remains at a crossroads. The artist...
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