Editorial: PREE 8
And just like that the twenty-first century has turned twenty-two. Its 21st year had been ruinous...
Read Moreby ap | Jan 16, 2022 | Annie Paul, Editorial, Highlights 8, PREE 8 | 1 |
And just like that the twenty-first century has turned twenty-two. Its 21st year had been ruinous...
Read Moreby ap | Dec 27, 2020 | Annie Paul, Editorial, Highlights 6 | 0 |
by ap | Jul 5, 2020 | Annie Paul, Editorial, PREE Views 1 | 4 |
The image anchoring this text is a photo of a John Crow Blow Nose or Basket Stinkhorn Fungus taken by the ceramicist David Pinto. Its hideous beauty perfectly symbolizes the raw and smelly wound of systematic racial and class discrimination still haunting the Caribbean. It’s an unpleasant thing to face down but face it we must.
Read Moreby ap | Apr 20, 2020 | Amanda Choo Quan, Annie Paul, Editorial 5, Issue 5, Issue One: Crossroads, Leniqueca Welcome | 0 |
The scene opens: somewhere on an island she sits in a dark room contemplating what lies beyond....
Read Moreby ap | Apr 19, 2018 | Annie Paul, Editorial, Issue One: Crossroads | 8 |
ANNIE PAUL As the note on our theme says, the Caribbean has always existed at a crossroads of one kind or another, and nearly a quarter of the way into the 21st century, the Caribbean remains at a crossroads. The artist...
Read Moreby ap | Apr 17, 2018 | Annie Paul, Issue One: Crossroads, Non Fiction | 7 |
ANNIE PAUL and MIKIE BENNETT In February 2018 the new Netflix-BBC TV series Collateral debuted,...
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