ADA MARICIA PATTERSON

Antoinette

broken and resolved
in the red room
she lives in earshot of a
cruelty of husbands fucking our
chambermaids
in this the hold    the attic
that keeps us most undressed
and toothless and

don’t know a day when
sun shone last
you left her back in the good place    anywhere else not here
thinking she could be pocketed
sun in hand
as if you wouldn’t burn up
as if char and in-cin-e-ra-tion were
not words in your creole
as if you could never be
a great house on fire    as if that
wasn’t written in your blood
skin persuasion and your “that sort
of thing” situation

you clamp down your teeth
mousetrapping a lie or at least
what feels like one
what feels like sin and secret
mad colours buried
in your backyard body
like dog bones and dead pets and
shameless sex toys

you want to know why
the life you live has no “F”
that’s how they spell it
deception    dishonesty     really
should’ve told me before we kissed
before we touched and met and fucked
and choked and spat up murder on his
stupid dick
should’ve should’ve
before we even spoke
told me
who I thought you’re not
told me    so I could excuse myself
most repugnantly
and all debonair
and sly
it didn’t matter how much lie
he did bite down on as he ate your breast
hoping to draw milk blood
and a piece of me all the same

why are men so obsessed with tits

did it really make a difference to tell you so
before you could waste a chance on me?

brokenness is what we do
because piece is all you want
never all
never whole     just hole to
throw your waist into like every
other next garbage man

tell him so
tell him so
tell him where to carry his ass
tell him ‘bout his mother

him who was certainly not raised

to respect a woman like me
split apart    wood from nail woman
by expectations, assumptions and
soft

yet rude awakenings

he was certainly not prepared
not quite grown enough
to accept her without entitlement
without fearful wrist holdings
and locked up dresses burning out
of control

“I’m not comfortable,” he moans
as if it means anything but
stop

what about my comfort

if she jumped

any dollar store homosexual
will call himself sickening
yet don’t know one fuck

about being so beautiful

that men want to make you disappear

I can’t do it anymore

such a deranging feeling
to be so terrifically hated
yet so loved and desired all
the same

I wake up shot down
every god gone day
and text my bestie

for proof of life

then we cackle like old young
hens do
delirious

from dodging all the wrong kinds

of glances

the doctor     he gave us the same face
more or less

approachable    close enough    to be

hunted

         first, do no harm
they promise

as they turn us into forsaken fuckable women

the wrong kind of girl can’t be

harmed or raped
the women’s movement hammers on

I am a nail
trying to run
but nails don’t have legs

nasty girl

it curls off his tongue too easy

pushing more of him into
you          like nail in a coffin
the wrong kind of girl doesn’t need
a mouth to speak

just a head hole
with firm grip
no teeth

could I learn to fly

if I jumped

from the highest battlement
and dreamt of softer landings

a good man          hard to come by
gave me chocolate pudding once

when I wanted to jump

out of my skin

and I couldn’t help myself

I bawled my eyes
out of my head

it was too painful

too much like a
knife of burning sugar
the reminder

that I too could deserve kindness

so sweet and simple

like sad girl chocolate pudding
my mouth chomping down for dear life

I have become something so hard trying to survive

could I deserve more
kindnesses please
like a nail
learning how to fly

hitting the ground       no longer running
can I be soft too
if I jumped?

Ada Maricia Patterson is an artist, writer and educator based between Barbados, London and Amsterdam. She works with drawing, masquerade, music, performance, poetry, textiles and video, considering what it means to change under duress and what life can look like under existential threat. Patterson is an alumna resident of the Rijksakademie van beeldende kunsten, Amsterdam.