SHORTLISTED

ROLANDO ALBERTS

WHEN THE WIND KNOCKS
an ode to Oya and her daughter, Melissa

You carve a path of destruction
or transformation

From the sea
straight to our house

With all your fury
you whip your machete across the sky

Threaten our sheltered selves
and everything else we know

We bargain
“Iba Oya. If we must be changed

Leave us with our right hand so
we can rebuild our left”

With your last bit of mercy
you turn.

THE CHURCH TURNS THE GIRL TURNS THE CHURCH INSIDE OUT
or The Girl Becomes a Hurricane

Long titty church sisters and
broad back ushers
welcome her with half open arms
They find her a place in the pews

This is where she waits
Off the coast of the salvation she was promised
Off the coast of the home she desires
Wondering if she should turn around

Or find solace in some other place
Something inside the congregation is watchful
As if they know where she has been
As if they can see what she will become

She ponders her belonging until
Scripture trickles out of Pastor’s mouth
Something in the early chapters of Genesis
Tells her who and why she must be

Pastor pontificates how all sinners are created equal
But not all sin is the same
He divulges his disdain for
Man royals

And sodomites
Tomb wombs
And jelly back men

She knows who she is among this
And wonders if she might receive forgiveness
And something like holy ghost fire

Rises out the pit of her stomach
Drags her by her chest to the altar

Here she spins
And flings herself toward the pulpit
Long-necked uncles lay their crusted fingers
On her head, on her shoulders

Tell her how she must be more than
A roaming sketel with
Trash littered through her body

For a moment
She agrees

She inhales the destruction
They tell her she brought on herself

How could she have done this?

How could she not?

Pastor’s gaze meets hers in

The middle of deliverance

And she realizes

He will bury her       in this

            Hattaclaps.

Something else inside her
Spins in the other direction
She tears open the pulpit and
Places her hands against both columns
Rocks the sanctuary to each side
Pulls the roof down and covers
Serpents, sinners and saints alike
Before moving to another place
Where perhaps she will be forgiven
Where perhaps she will find a home

 THE DAY AFTER
after Allison Morris

Tired of carrying faith on her shoulders
The old church finally rests

Her head on damp St. Elizabeth soil
She listens to tales and stories

Of old family homes and family names
Taken to the sea by the wind

The old church weeps at their passing
Knocks her wood against newly barren land

Sends a seismic call
To the saints in the east

And the saints           feel disaster
And the saints           come marching in

And the saints           pour libation
And the saints           lament surviving

And the saints           tell their stories
And the saints           bury their dead

And the saints           pray
And the saints           say
amen

Rolando Alberts is a Jamaican poet and actor. His work appeared in the Scottish Poetry Library as part of their Burns Night 2026 showcase. In 2024, he was shortlisted for the Poet Laureate of Jamaica Young Writers’ Prize for Poetry. His writing uses distinct lineation and white space to control pace and rhythm. He often uses strong metaphors anchored in concrete imagery to explore ideas of vulnerability, identity and mental health. Rolando and more of his work can be found on Instagram at socratesbeard.