COURTNEY CONRAD

Cuba a Bawl Living Eye Wata

America, thrilled at the opportunity to be ravenous, decrees
an oil blockade, and our island becomes an orange,
turned inside out. Gutted. What is it to live

on the precipice of ruin? It is rubbish
lining the streets like traffic markings.
Airports receiving nothing but dust,

no tourists’ lips savouring our rum and cigars.
I’m thinking of the four hundred closed Western Unions
as bone saws, severing outstretched limbs, offering remittances.

The hospitals, operating on the hamster wheel of doctors’ devotion.
Meanwhile, our wind-up radios double-dutch reports
that our torment is self-inflicted

and that this short-term suffering will free Cuba forever.
We refuse to jump in to entertain such rancid rants.
Instead, our fathers sit under cellphone torches, slamming dominoes.

Our mothers twirl each other in and out of the slivers of light
as their charcoal-stained hands cook rice and sausages to uplift hung bellies.
Our neighbours, no longer distracted by staring into our darkness, but

as Jamaicans say, tiddeh fi mi, tomorrow fi yuh.

How to Make a Spectacle of Fishing

Everyting but dis Papa warn mi bout
when mi seh mi a tun fisherman,
like how di wata can send mi
adrift easy like floating yard slippas.

I can’t remember the first time
I heard of a US military airstrike,
but they were like a duppy
in one of Granny’s veranda stories,
one I thought I would never cross paths with.

Unaware that my innocence was in question,
I suppose with an active imagination, fishing hooks
could be mistaken for heavy artillery, seaweed for ganja
and a pile of fish scales for crack, especially from a bird’s eye view
or by intelligence as credible as susu-susu Suzie.

The monstrous noise hurtling towards us, scarier than Mama’s footsteps
on Saturday mornings for cleaning when I was a likkle yute.
Didn’t know whether to freeze like when mi see mongrel or tun merman.
How could I buss off a prayer quicker than the kaboom?
America’s negligence, a tsunami. Our bodies, disposable as fish carcass.

Courtney Conrad is a Jamaican poet based in England. Her debut pamphlet I Am Evidence is published by Bloodaxe Books. She is a winner of the Eric Gregory Award, Michael Marks Award, Bridport Prize Young Writers Award and Mslexia Women’s Pamphlet Prize. Shortlisted for The White Review Poet’s Prize, the Manchester Poetry Prize, the Oxford Brookes International Poetry Competition, the Aesthetica Creative Writing Award’s Poetry Prize and the Bridport Poetry Prize. She is a Cave Canem fellow and a Tin House Summer Workshop Retreat participant. Her poems have been published by Oxford American, Prairie Schooner, The White Review, Poetry Magazine, Mslexia, Poetry London, Poetry Review, Magma Poetry, Callalloo, Poetry Wales and more.