Meet PREE’s 5 young scholarship winners!

Part of PREE’s proposal to the Prince Claus Fund was that we would use their Next Generation grant to fund five talented writers under the age of 30 to attend PREE Writing Studio (PWS) and Calabash Literary Festival immediately afterwards, all costs covered. All five had to have contributed to issues four or five of PREE and clicking on their names will allow you to read their work. 

The response to PWS has been stupendous. Whereas we had hoped for 25-30 applications we received 45-50. This will allow us to partially fund a few more deserving participants who can’t afford the full fee. Keep checking in for more news on PREE’s exciting, one-of-a-kind writing festival!

Jovanté Anderson is a first-year student at the University of Miami, currently pursuing a Ph.D. in English Literature. His current research areas include gender and sexuality studies, theories of space and place, and diaspora studies. He is also the first recipient of the Poet Laureate of Jamaica and Helen Zell: Young Writer’s Prize for Poetry. He is originally from Harbour View, St Andrew. As a young poet and scholar, he is always trying to learn more about his craft and how he can use it to impact the world, or at least, make a mockery of it. He spends his everyday navigating always-interesting, mostly-amusing American spaces that do not always feel like home, but always feels like adventure.

Yashika Graham is a writer, visual artist and the 2019 recipient of the Mervyn Morris Prize for poetry from the University of the West Indies, Mona where she is a student of Literatures in English. The recipient of a 2018 Centrum Writers’ Residency and the 2019 Urban Wilderness Project Research and Teaching Fellowship, Graham’s work is published in The Caribbean Writer, POUI, Spillway magazine, Cordite Review, PREE, Moko magazine and Jamaica Journal. She teaches creative writing and has taught cross-genre workshops for the Port Townsend Writers’ Conference in Washington, USA.

Adam Patterson is a visual artist and writer based between Barbados, London & Rotterdam. They like telling new stories or rethinking old stories in new recuperative ways. Working across a variety of media including masquerade, video, critical writing, poetry and performance. Patterson’s works have been exhibited at the Live Art Development Agency and Jerwood Space, London; the Barbados Museum & Historical Society and Fresh Milk Arts Platform, Barbados; Roodkapje, Rotterdam; Ateliers ’89, Aruba and Alice Yard, Trinidad & Tobago. Their writing has been featured by Fresh Milk Arts Platform, ARC Magazine, Sugarcane Magazine, PREE, Mister Motley and Metropolis M. 

Kaleb D’Aguilar is a writer and filmmaker, currently completing his MA in Filmmaking, specialising in Directing, at Goldsmiths University in London. His interest in the arts started on stage as an actor, but after completing his BSc. in Anthropology at the University of the West Indies, where he graduated Valedictorian in 2017, Kaleb transitioned to writing and directing for film. He has currently completed three short films, all of which have participated in regional and international film festivals. His interest in ‘world building’ and ‘storytelling’ transcends the cinematic medium to literary text, most prominently poetry. He is also a recipient of the 2019 Poet Laureate of Jamaica and Michael Cooke Prize for Poetry. 

Tanicia Pratt is a content writer, poet, and performance artist from The Bahamas. Her writing is a form of memory, archived or unearthed, to depict the many selves of the Caribbean landscape. Pratt’s work has been published by the grace of Palette Poetry, PREE, POUI, Write About Now, Tamarind Journal, among othersShe has performed at Antiquities, Monuments & Museums, the Central Bank of the Bahamas Art Gallery, and the National Art Gallery of the Bahamas. Pratt received her BA in Marketing from The University of the Bahamas and is studying her MA in Poetic Practice at Royal Holloway, University of London. 

Because Tanicia’s work will be appearing in Issue 5 of PREE, Ecocide, we’re unable to link to it but keep your eyes peeled for the new issue mid-April.

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