This wasn’t hero work he was doing. Peter was well aware of that. It was his duty. To reshape destiny by taking a bold step to shift the course of history. While the general public scratched its head, longed out its bottom lip, and prayed that the reckless ride government had placed the country on would miraculously end, Peter had been roped into a grand scheme…
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No one ever chooses to be a vagrant. A beggar, maybe. Now, that’s a career choice. But a vagrant? Hell, no. That is a result of the government closing down state-owned enterprises instead of restructuring, the banks stealing from your savings account under the guise of transactional fees and the creation of second-rate tertiary-education schools that hand out degrees to undeserving students who eventually take your job.
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I knew all my “what ifs” would be shared by my husband, and I knew they were unhelpful. Why this place to have this family? Why this land? Should we have been more open? Was it fair to have had him at all? None of these can be answered. But I take a moment’s pleasure in imagining different timelines where he’s still here, still running around, still laughing his toothy laugh, eyes full of wonder.
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A personal reflection in which literary scholar Kavita Ashana Singh responds to the National Gallery of Jamaica’s 2022 Kingston Biennial and its theme, Pressure, which piques her curiousity and interest.
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