Category: PREE 13

Censoring Caribbean Artists at the OAS’s Museum: An Interview with Andil Gosine

Nature’s Wild grew out of the book of the same name and addressed the same tensions: human-animal relations and histories of animalization and race in the Caribbean — how colonists, then postcolonial elites, put the onus on marginalized people to prove themselves human and “not-animal,” for example through dress codes, laws about sexuality, and definitions of citizenship.

The God with The Very Long Arm

“Gawd hates de sin, not de sinnah,” Genie reminded. She could almost see the angst in her husband’s eyes, she knew him thoroughly. He was a good man. Had married her in a community where women had to make miserable choices, often deciding whom to cohabit with based on gang colors or who could offer them protection.

A Meditation on Rudie Culture

In this meditation Garth White’s framing of rudie has been edited, revised and expanded in order to apply it to different eras of the music over time and location. His approach remains the initial touchstone for how we can understand rudie culture.
In this re-imagining rudie can only be multi-dimensional and multi-gender.

Sovereign

You see it then: the violence of tropical light,
all living things now reduced to chalk outlines against a bruised sky, knuckled
daylong into perfect blue performance. And you too, you realize,
are knuckled, sore with the weight of expectation, pummeled by the script
of nationhood, its exhaustive choreography.

Excavating the Bones of New Deities in Margaret Chen’s Work

Interior’s most striking feature is the taxidermized bird embedded within it. Possibly a direct reference to the Ziz, the bird can also be seen as a poignant symbol for the act of sacrifice. The root meaning of sacrifice is to ‘make something holy’. The way this creature which has forever departed its mortal shell is remade into something, commanding such awe is a means of transmuting it into something holy. Its encasement in clear glass is also meaningful — a material which like water is reflective and often considered a portal. Here it serves as a container, trapping a thing that was once free and unbound even from the laws of gravity. The creature is given a second life in a way, but a life it cannot make use of.

Candyman: An Agent of Black Retributive Justice

During the savage rule of King Leopold II of Belgium (still a highly celebrated figure there) Black men, women and children in the Congo were often mutilated under Leopold’s orders having their hands and feet severed as punishment for not supplying the daily quota of rubber. What is even more sinister is that one of the most popular chocolates in Belgium today is Antwerpse handjes (Antwerp Hands), chocolate shaped to resemble severed human hands.

The Work

Mi want an excuse fi get him number for months now and I was glad for it… but all mi can think bout is the shirt and the pants. I want them back. I think I want it to juice out whatever sweat from the work him do just now with the cane juicer in the kitchen. Mi want fi keep it in a perfume bottle to spray on myself. When him ready fi change back, him turn roun and I turn too.

Shivatose Abe

Inspiration for this portrait comes from Ixora, an 18th-century engraving by European engraver Bernard Picart, from the influential text “Ceremonies and Religious Customs of the Known World.” Illustrating the Hindu deity Shiva, often represented with four arms, this exaggerated interpretation portrays the god with sixteen arms holding various tools, only some of which seem benign.

Cereal Correlation

I tilted my head back and drained the remains into my mouth. My grandmother put her spoon down and did the same. When the empty bowls returned to the table, my grandmother wiped her mouth with the back of her hand. That was good. Very nice. I can eat that everyday, she smiled so wide I could see her missing back teeth.

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PREE 14

FICTION

The Talking Forest of Yaminsa
Ayasha Ayurbe

 

Seaside
Jose Belaval

 

Lifting the Veil
Yvonne Weekes

 

Scarface
Melanie Grant

 

All is Not Lost in Translation
Yzahira Valle García

 

Bush Baths
Amanda Haynes

 

Frankie’s Father
Danielle James

 

NONFICTION

The Things We Inherit, The Things We Let Go
Ashae Forsythe

 

POETRY

There is Only Wailing, The First Cries, Inheritance
Yashika Graham

 

An Abecedarian Cut in Half Like a Nose
Amelia Badri

 

Two Poems About Love
Kendel Hippolyte

 

bi·sex·u·al
Choiselle Joseph

 

beautiful hand
Allison Whittenberg

 

For Alton Ellis and other Poems
Amílcar Peter Sanatan

 

To Talk of Trees, The Cannon Ball Tree, Bloody Orange
Debra Providence

 

Blood Songs, Beasts of the Island, Storm Seasons
Joely Williams

 

ART-ICLES

Roberta Stoddart’s “All in the Family” 
Isis Semaj-Hall

 

INTERVIEWS

Unmothered, Unafraid, and Free: A Conversation with Camille U. Adams
Caryn Rae Adams

Entertainment Report on PREE